Location: Singapore
Site Area: 973 sqm
GFA: 764 sqm
Completion: 2012
Construction Cost: SGD 5.0 Mil
Client: Private
Contractor: Join-Aim Pte Ltd
Accolade: Shortlisted for World Architecture Festival 2012
Photographer: Boon Chian
Location: Singapore
Site Area: 989.40 sqm
GFA: 1132.63 sqm
Completion: 2021
Construction Cost: 5.0 Mil
Client: Private
Contractor: Construkt Pte Ltd
Photographer: Jiwen Bai
Location: Singapore
Site Area: 329.60 sqm
GFA: 526.62 sqm
Completion: 2022
Construction Cost: 1.7 Mil
Client: Private
Contractor: Hiap Seng Building Construction Pte Ltd
Collaborator: Parenthesis Studio
Photographer: Jiwen Bai
Location: Singapore
Site Area: 654.20 sqm
GFA: 811.31 sqm
Completion: 2024
Construction Cost: 3.7 Mil
Client: Private
Contractor: Divine N’ Dynamic Pte Ltd
Location: Singapore
Site Area: 375.50 sqm
GFA: 586.32 sqm
Completion: 2022
Construction Cost: 2.3 Mil
Client: Private
Contractor: Content Construction & Development Pte Ltd
Photographer: Jiwen Bai
Project: 33CCR House
Location: Singapore
Site Area: 307.34 sqm
GFA: 373.93 sqm
Completion: 2023
Client: Private
Contractor: Lim Seng Kok Contractor Pte Ltd
Location: Singapore
Site Area: 250.73 sqm
GFA: 384.31 sqm
Completion: 2023
Construction Cost: SGD 2 Mil
Client: Private
Contractor: Lloyd & Andrew Builders Pte Ltd
Location: Singapore
Site Area: 372.2 sqm
GFA: 354.9 sqm
Completion: 2009
Construction Cost: SGD 1.4 Mil
Client: Private
Contractor: EL-FA Team Pte Ltd
Collaborator: Mink Architects
Photographer: Tim Nolan
Location: Singapore
Site Area: 299.4 sqm
GFA: 350.28 sqm
Completion: 2021
Construction Cost: 1.0 Mil
Client: Private
Contractor: Construkt Pte Ltd
Photographer: Fadly Salleh
Location: Singapore
Site Area: 188.2 sqm
GFA: 274.49 sqm
Completion: 2018
Construction Cost: SGD 1.5 Mil
Client: Private
Contractor: Builders Alliance Pte Ltd
Location: Singapore
Site Area: 171.3 sqm
GFA: 298.31 sqm
Completion: 2019
Construction Cost: 1.0 Mil
Client: Private
Contractor: CapitalGold Construction & Engineering Pte Ltd
Location: Singapore
Site Area: 129.40 sqm
GFA: 199.65 sqm
Completion: 2018
Construction Cost: 0.9 Mil
Client: Private
Contractor: CapitalGold Construction & Engineering Pte Ltd
Photographer: Fadly Salleh
Location: Singapore
Site Area: 275.38 sqm
GFA: 514.42 sqm
Completion: Under Construction
Construction Cost: 2.0 Mil
Client: Private
Contractor: Altitude Construction & Trading Co Pte Ltd
Location: Singapore
Site Area: 120.50 sqm
GFA: 240.71 sqm
Completion: 2024
Construction Cost: SGD 1.5 Mil
Client: Private
Contractor: Lloyd & Andrew Builders Pte Ltd
Location: Singapore
Site Area: 197 sqm
GFA: 422 sqm
Completion: Under construction
Construction Cost: SGD 1.9 Mil
Client: Private
Contractor: Divine N’ Dynamic Pte Ltd
Location: Singapore
Site Area: 536.10 sqm
GFA: 510.51 sqm
Completion: 2012
Construction Cost: SGD 0.8 Mil
Client: Private
Contractor: CapitalGold Construction & Engineering Pte Ltd
Photographer: Weng Mingfu
Location: Singapore
Site Area: 627.1 sqm
GFA: 808.15 sqm
Completion: Under construction
Construction Cost: SGD 3 Mil
Client: Private
Contractor: JMJ Consultants Pte Ltd
Location: Singapore
Site Area: 247.10 sqm
GFA: 587.05 sqm
Completion: Design Proposal
Client: Private
Accolade: Shortlisted for World Architecture Festival 2012
Location: Singapore
Site Area: 250.73 sqm
GFA: 435.71 sqm
Completion: 2025
Construction Cost: SGD 2.3 Mil
Client: Private
Contractor: JOLETA HARDWARE AND ELECTRICAL ENTERPRISE in collaboration with IRMS PTE LTD
Location: Singapore
Site Area: 148.6 sqm
GFA: 345.06 sqm
Completion: 2025
Construction Cost: SGD 1.5 Mil
Client: Private
Contractor: JMJ CONSULTANTS PTE LTD
Location: Singapore
Site Area: 189 sqm
GFA: 564 sqm
Completion: Under construction
Construction Cost: SGD 1.9 Mil
Client: Private
Contractor: Ko Hong Construction Pte Ltd
Location: Singapore
Site Area: 280 sqm
GFA: 545 sqm
Completion: Under construction
Construction Cost: SGD 1.9 Mil
Client: Private
Contractor: JMJ Consultants Pte Ltd
Location: Singapore
Site Area: 3311.20 sqm
GFA: 1526.69 sqm
Completion: 2012
Construction Cost: 5.4 Mil
Client: Wat Ananda Metyarama Thai Buddhist Temple
Contractor: Ang Cheng Guan Construction
Accolade: Shortlisted for World Architecture Festival 2012
Photographer: Weng Mingfu
Location: Singapore
Site Area: 3311.20 sqm
GFA: 1526.69 sqm
Completion: 2012
Construction Cost: 5.4 Mil
Client: Wat Ananda Metyarama Thai Buddhist Temple
Contractor: Ang Cheng Guan Construction
Accolade: Shortlisted for World Architecture Festival 2012
Photographer: Weng Mingfu
Location: Singapore
Site Area: 1306.39 sqm
GFA: 1900.18 sqm
Completion: 2023
Construction Cost: 0.5 mil
Client: Bethesda Medical Pte Ltd
Contractor: Joleta
Photos by: Bethesda Medical Pte Ltd
Location: Johor Bahru, Malaysia
Site Area: 8107 sqm
GFA: 32,000 sqm
Plot Ratio: 3.94
Completion: Design Proposal
Client: Joland Group
Exhibition: An Exercise of Meaning in a Glitch Season
Location: National Gallery, Singapore
Completion: 2021
Contractor: W Carpenter
Project Info:
In collaboration with artist, Tini Aliman and W Carpenter. Write up from Artist.
Pokoknya: Organic Cancellation is the latest work in a collaborative performance project between diverse plant species, gamelan (traditional ensemble music from Indonesia) and electronic musicians. It explores the limits of interspecies communication, the remembered afterlife of performances, the nature of glitches, and the polarities of sound. The accompanying videos act as a memory map, retracing sonic semblances from places that underwent environmental changes, thereby altering the relationship between these landscapes and the plants within them.
This sound installation experiments with analog audio phase cancellation, integrating two or more waveforms which cancel each other out with almost no amplitude. The resulting waveform combines the same frequencies at different starting points, and is said to have had a “phase shift”. Straddling tranquility and silent turbulence, Pokoknya: Organic Cancellation corresponds to the state of the world today and astutely reflects the impact of this paradigm shift on our being.
This sound installation experiments with analog audio phase cancellation, integrating two or more waveforms which cancel each other out with almost no amplitude. The resulting waveform combines the same frequencies at different starting points, and is said to have had a “phase shift”. Straddling tranquility and silent turbulence, Pokoknya: Organic Cancellation corresponds to the state of the world today and astutely reflects the impact of this paradigm shift on our being.
Exhibition: An Exercise of Meaning in a Glitch Season
Location: National Gallery, Singapore
Completion: 2021
Contractor: W Carpenter
Project Info:
In collaboration with artist, Tini Aliman and W Carpenter. Write up from Artist.
Pokoknya: Organic Cancellation is the latest work in a collaborative performance project between diverse plant species, gamelan (traditional ensemble music from Indonesia) and electronic musicians. It explores the limits of interspecies communication, the remembered afterlife of performances, the nature of glitches, and the polarities of sound. The accompanying videos act as a memory map, retracing sonic semblances from places that underwent environmental changes, thereby altering the relationship between these landscapes and the plants within them.
This sound installation experiments with analog audio phase cancellation, integrating two or more waveforms which cancel each other out with almost no amplitude. The resulting waveform combines the same frequencies at different starting points, and is said to have had a “phase shift”. Straddling tranquility and silent turbulence, Pokoknya: Organic Cancellation corresponds to the state of the world today and astutely reflects the impact of this paradigm shift on our being.
This sound installation experiments with analog audio phase cancellation, integrating two or more waveforms which cancel each other out with almost no amplitude. The resulting waveform combines the same frequencies at different starting points, and is said to have had a “phase shift”. Straddling tranquility and silent turbulence, Pokoknya: Organic Cancellation corresponds to the state of the world today and astutely reflects the impact of this paradigm shift on our being.
Exhibition: 2219: Futures Imagined
Location: Art Science Museum, Singapore
Completion: 2020
Contractor: W Carpenter
Project Info:
In collaboration with artist, Zarina Muhammad and W Carpenter. Write up from Artist.
What are the ways we map out certain non-conforming names and bodies that defy easy translation or interpretation? How do we memorise and memorialise all that we assume matters, especially those that fall onto messy overlapping timelines and cycles? How do tell old and new stories on time travelling, unresolved memory, shapeshifting translations and other haunted historiographies? In domesticating doubts on the complexities of oral histories, fragmented cosmologies, cosmogonies, genealogies and the acts of remembering the ghosts and monsters, ancestors and gods that inhabit the ruined landscapes of the anthropocene, what shrines, gaping holes, shallow graves, markers for these afterlives do we create?
Composed from archival fragments, speculative histories, embodied experiences, folkloric narratives and shapeshifting conjectures, this installation speaks of and to the mythologies, astrologies and cultural naming of final rites, of peculiar phantoms, of ruined/renewed landscapes, of animal forms and plant names and the spirits attached to them, of seasonal winds and rains, of ownership and custodianship, of territory and terror, of time and future ghosts.
Exhibition: 2219: Futures Imagined
Location: Art Science Museum, Singapore
Completion: 2020
Contractor: W Carpenter
Project Info:
In collaboration with artist, Zarina Muhammad and W Carpenter. Write up from Artist.
What are the ways we map out certain non-conforming names and bodies that defy easy translation or interpretation? How do we memorise and memorialise all that we assume matters, especially those that fall onto messy overlapping timelines and cycles? How do tell old and new stories on time travelling, unresolved memory, shapeshifting translations and other haunted historiographies? In domesticating doubts on the complexities of oral histories, fragmented cosmologies, cosmogonies, genealogies and the acts of remembering the ghosts and monsters, ancestors and gods that inhabit the ruined landscapes of the anthropocene, what shrines, gaping holes, shallow graves, markers for these afterlives do we create?
Composed from archival fragments, speculative histories, embodied experiences, folkloric narratives and shapeshifting conjectures, this installation speaks of and to the mythologies, astrologies and cultural naming of final rites, of peculiar phantoms, of ruined/renewed landscapes, of animal forms and plant names and the spirits attached to them, of seasonal winds and rains, of ownership and custodianship, of territory and terror, of time and future ghosts.
Exhibition: President’s Young Talents Exhibition
Location: Singapore Art Museum, Singapore
Completion: 2019
Project Info:
In collaboration with artist, Zarina Muhammad. Write up from Artist.
Pragmatic Prayers for the Kala at the Threshold takes the penunggu or ‘guardian at the gate’ as its departure point and charts out a space that traverses beyond the physical. The installation is laid out as three distinct divisions that serve as the hills, land and sea of Bukit Larangan, Bras Basah, as well as Kallang and the coastal areas of Singapore, respectively. Within each designation are a selection of material objects and modes of presentation that reflect and respond to the history, culture and memories of the zones they are housed in. These objects act as coordinates in which to map the histories and paths that the spirits of these realms may have resided and roamed in. Historic and mythic, Pragmatic Prayers for the Kala at the Threshold aims to, in the artist’s words, “disrupt and irrupt time and move beyond the single narrative of place.
Conceived as an installation that will unfold and shapeshift with seven gestural and performative activations through the months, ‘Pragmatic Prayers for the Kala at the Threshold’ is intended to bring the audience into a convergence and dialogue with Austronesian cosmologies, the cultural biographies of objects, sites and communities, and the various points of forgetting between the pre-colonial and the post-colonial.
In de/re-narrating entangled speculative histories as well as inviting the counterpoints, extended potentialities and possible antidotes to our culture of forgetting, how might we remediate the inter-regional and inter-generational narratives of the mythic and the spectral, the worlds of the living, the forgotten and the dead? How many numinous spirits are left in our midst? Who stands, sits, crouches, watches from the threshold?
Exhibition: President’s Young Talents Exhibition
Location: Singapore Art Museum, Singapore
Completion: 2019
Project Info:
In collaboration with artist, Zarina Muhammad. Write up from Artist.
Pragmatic Prayers for the Kala at the Threshold takes the penunggu or ‘guardian at the gate’ as its departure point and charts out a space that traverses beyond the physical. The installation is laid out as three distinct divisions that serve as the hills, land and sea of Bukit Larangan, Bras Basah, as well as Kallang and the coastal areas of Singapore, respectively. Within each designation are a selection of material objects and modes of presentation that reflect and respond to the history, culture and memories of the zones they are housed in. These objects act as coordinates in which to map the histories and paths that the spirits of these realms may have resided and roamed in. Historic and mythic, Pragmatic Prayers for the Kala at the Threshold aims to, in the artist’s words, “disrupt and irrupt time and move beyond the single narrative of place.
Conceived as an installation that will unfold and shapeshift with seven gestural and performative activations through the months, ‘Pragmatic Prayers for the Kala at the Threshold’ is intended to bring the audience into a convergence and dialogue with Austronesian cosmologies, the cultural biographies of objects, sites and communities, and the various points of forgetting between the pre-colonial and the post-colonial.
In de/re-narrating entangled speculative histories as well as inviting the counterpoints, extended potentialities and possible antidotes to our culture of forgetting, how might we remediate the inter-regional and inter-generational narratives of the mythic and the spectral, the worlds of the living, the forgotten and the dead? How many numinous spirits are left in our midst? Who stands, sits, crouches, watches from the threshold?
Location: Singapore
Site Area: 623 sqm
Completion: 2018